Asphalt 8 Airborne Hack Tool - i. OS/Android. Asphalt 8 Airborne Hack Tool. Here we come with a new hack tool. You’ve all heard of the famous game for Android , i. OS and PC Asphalt 8 Airborne. Yes is probably the best racing game for mobile phones. ![]() ![]() Asphalt 8 Airborne is a game hard enough to get to have the car that you desire you have to play a lot. We created a hack tool for this game you will help a lot to advance. Asphalt 8 Airborne Hack Tool is a hack tool very easy to use . Work on i. OS , Android devices and not need Jailbreak or Root . This hack tool also can be used for Windows 8 . With this tool you can hack the game in minutes with just a few clicks. Instructions: Download Asphalt 8 Airborne Tool. Install and Run The Hack Tool. Connect you device to PC via USBSelect your platform and click connect. Click Hack. Select features you want. Click Hack. HAVE FUNFeatures: Unlimited Credits. Unlimited Money. Unlimited Stars. Unlock Elite Car Pack. Unlock Season 2. Unlock Season 3. List of the Biggest database for Marvel, DC Comics, Dark Horse Comics Online. Here you can download plants vs zombies 2 its about time setup shared files: plants vs. zombies 2 it's about time beta.apk 4shared.com Plants vs zombies 2 i´ts about. Call of Duty Zombies Tournament Features Four Incredible Players. Hardcore Call of Duty Zombies players showed off impressive speed runs and even broke some records in their quest to compete in a $2. Zombies World Championship this month in Los Angeles. Popular You. Tuber Mcsportzhawk” teamed up with 1. P Entertainment to put the championship together, and invited players to compete in online qualifiers in one of four Black Ops III Zombies challenges. ![]() InformationWeek.com: News, analysis and research for business technology professionals, plus peer-to-peer knowledge sharing. Engage with our community.All challenges were recorded, and you can watch the winners pull off some pretty incredible feats. The four finalists will be flown to Los Angeles to compete for the $2. August 1. 9. Here’s how the preliminaries went down. Player “Im. Over. Charged” dominated the Origins First Roomchallenge by surviving for 6. Origins map. First Room challenges are tricky because you’re limited to basic items within a tiny spawn area, meaning you’re left with trash guns and lacking the perks usually desired to achieve high rounds. Origins is probably one of the most interesting First Room challenge maps, because you can complete objectives to obtain items otherwise inaccessible while locked in the starting room, such as the Double Tap perk and an upgraded gun. Zombies also randomly drop Zombie Blood, which automatically disguises players as zombies for a short time to prevent being attacked. Going for 6. 0 rounds without decent guns or even the Juggernog health perk is completely insane, but Im. Over. Charged is no stranger to the First Room challenges. He currently holds three Zombies world records, including the Origins First Room challenge on Black Ops II. For the Verruckt No- Jug challenge, no Gobblegums were allowed, and players had to survive as long as they could without the health boost provided by the Juggernog perk. Prior to ZWC, the world record for Verruckt No- Jug was only 4. Player “Mossy” earned his spot in Champs with a whopping 1. This was no easy task because zombies can sponge so many bullets and take you down fast in high rounds. Mossy used electric traps, strategic routes, and a whole lot of patience to beat out the competition, with his winning performance taking 5. Thankfully, you can hit pause and take a break on solo Zombies mode, but that’s still a lot of hours spent herding and electrocuting the undead.) Mossy currently holds 2. Zombies world records. Player “King. Korbs” raced through the Revelations map, completing its complex Easter Egg speed run with a time of 4. To put this time in comparison, the 7th through 1. King. Korbs made use of the “Anywhere But Here” Gobblegum, which lets you randomly teleport to another location. This, too, has a wild element of chance, since you can’t choose where you end up. King. Korbs holds 8 Zombies world records, 7 of which are Easter Egg speedruns. The Gorod Krovi. Easter Egg speed run offered the most intensely tight competition, but “Maitrash” squeezed in at first place with a time of 4. Maitrash also used Anywhere But Here to randomly teleport around the map, his second use of the Gobblegum fortuitiously teleporting him close to the next step in his Easter Egg sequence. Maitrash holds two world records, is the only finalist under the age of 1. France to compete in L. A. later this month. In Los Angeles, each finalist will team up with a popular Zombies You. Tuber to compete live for a share of the prize pool. Mcsportzhawk has also announced everyone who placed in the top ten for each of the four categories will get a free entry into next year’s Zombies World Championship. S. E. Doster (@sedoster) is an author, artist, and competitive Call of Duty fanatic who enjoys quoting Buffy the Vampire Slayer.
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Web portal for building-related information with a "whole building" focus provided by the National Institute of Building Sciences. Areas include Design Guidance. WAI- ARIA Authoring Practices 1. Introduction§This section is informative. WAI- ARIA Authoring Practices is a guide to understanding how to use WAI- ARIA to create an accessible Rich Internet Application. It describes recommended WAI- ARIA usage patterns and provides an introduction to the concepts behind them. This guide is one part of a suite of resources that support the WAI- ARIA specification. The WAI- ARIA suite fills accessibility gaps identified by the [WAI- ARIA- ROADMAP]. As explained in Background on WAI- ARIA, languages used to create rich and dynamic web sites, e. HTML, Java. Script, CSS, and SVG, do not natively include all the features required to make sites usable by people who use assistive technologies (AT) or who rely on keyboard navigation. The W3. C Web Accessibility Initiative's (WAI) Accessible Rich Internet Applications working group (ARIA WG) is addressing these deficiencies through several W3. C standards efforts, with a focus on the WAI- ARIA specifications. For an introduction to WAI- ARIA, see the Accessible Rich Internet Applications Suite (WAI- ARIA) Overview. With the understanding many prefer to learn from examples, the guide begins with a section that demonstrates how to make common widgets accessible with descriptions of expected behaviors supported by working code. Where it is helpful to do so, the examples refer to detailed explanations of supporting concepts in subsequent sections. The sections that follow the examples first provide background that helps build understanding of how WAI- ARIA works and how it fits into the larger web technology picture. Next, the guide covers general steps for building an accessible widget using WAI- ARIA, Java. Script, and CSS, including detailed guidance on how to make rich internet applications keyboard accessible. The scope then widens to include the full application, addressing the page layout and structural semantics critical to enabling a usable experience with assistive technologies on pages containing both rich applications and rich documents. It includes guidance on dynamic document management, use of WAI- ARIA Form properties, and the creation of WAI- ARIA- enabled alerts and dialogs. Design Patterns and Widgets§This section demonstrates how to make common rich internet application widgets and patterns accessible by applying WAI- ARIA roles, states, and properties and implementing keyboard support. Note. Although users of Mac OS X are familiar with using the Command key instead of the Control key, the Command key is typically reserved for desktop applications and OS- level integration. Until device and platform independence can be addressed in WAI- ARIA 2. Control modifier key for WAI- ARIA widget interaction is specified as Control on all platforms, including Mac OS X. The following keyboard conventions are applicable to many of the patterns described in subsequent sections. Shift + F1. 0 opens associated context menu. Control + C Copies to clipboard Control + V Pastes from clipboard Control + X Copies to clipboard and cuts Control + Z undo last action. Control + Y Redo action. Accordion (Sections With Show/Hide Functionality)§. An accordion is a vertically stacked set of elements, such as labels or thumbnails, that allow the user to toggle the display of sections of content. Each labeling element can be expanded or collapsed to reveal or hide its associated content. Accordions are commonly used to reduce the need to scroll when presenting multiple sections of content on a single page. Terms for understanding accordions include: Accordion Header: Label for or thumbnail representing a section of content that also serves as a control for showing, and in some implementations, hiding the section of content. Accordion Panel: Section of content associated with an accordion header. In some accordions, there are additional elements that are always visible adjacent to the accordion header. For instance, a menubutton may accompany each accordion header to provide access to actions that apply to that section. And, in some cases, a snippet of the hidden content may also be visually persistent. Example. Accordion Example: demonstrates a form divided into three sections using an accordion to show one section at a time. Keyboard Interaction. Enter or Space. When focus is on the accordion header for a collapsed panel, expands the associated panel. If the implementation allows only one panel to be expanded, and if another panel is expanded, collapses that panel. When focus is on the accordion header for an expanded panel, collapses the panel if the implementation supports collapsing. Some implementations require one panel to be expanded at all times and allow only one panel to be expanded; so, they do not support a collapse function. Down Arrow (Optional): If focus is on an accordion header, moves focus to the next accordion header. If focus is on the last accordion header, either does nothing or moves focus to the first accordion header. Up Arrow (Optional): If focus is on an accordion header, moves focus to the previous accordion header. If focus is on the first accordion header, either does nothing or moves focus to the last accordion header. Home (Optional): When focus is on an accordion header, moves focus to the first accordion header. End (Optional): When focus is on an accordion header, moves focus to the last accordion header. Control + Page Down (Optional): If focus is inside an accordion panel or on an accordion header, moves focus to the next accordion header. If focus is in the last accordion header or panel, either does nothing or moves focus to the first accordion header. Control + Page Up (Optional): If focus is inside an accordion panel, moves focus to the header for that panel. If focus is on an accordion header, moves focus to the previous accordion header. If focus is on the first accordion header, either does nothing or moves focus to the last accordion header. WAI- ARIA Roles, States, and Properties. The title of each accordion header is contained in an element with role button. Each accordion header button is wrapped in an element with role heading that has a value set for aria- level that is appropriate for the information architecture of the page. If the native host language has an element with an implicit heading and aria- level, such as an HTML heading tag, a native host language element may be used. The button element is the only element inside the heading element. That is, if there are other visually persistent elements, they are not included inside the heading element. If the accordion panel associated with an accordion header is visible, the header button element has aria- expanded set to true. If the panel is not visible, aria- expanded is set to false. The accordion header button element has aria- controls set to the ID of the element containing the accordion panel content. If the accordion panel associated with an accordion header is visible, and if the accordion does not permit the panel to be collapsed, the header button element has aria- disabled set to true. Optionally, each element that serves as a container for panel content has role. Avoid using the region role in circumstances that create landmark region proliferation, e. Role region is especially helpful to the perception of structure by screen reader users when panels contain heading elements or a nested accordion. Alert§. An alert is an element that displays a brief, important message in a way that attracts the user's attention without interrupting the user's task. Dynamically rendered alerts are automatically announced by most screen readers, and in some operating systems, they may trigger an alert sound. It is important to note that, at this time, screen readers do not inform users of alerts that are present on the page before page load completes. Because alerts are intended to provide important and potentially time- sensitive information without interfering with the user's ability to continue working, it is crucial they do not affect keyboard focus. The alert dialog is designed for situations where interrupting work flow is necessary. It is also important to avoid designing alerts that disappear automatically. An alert that disappears too quickly can lead to failure to meet. WCAG 2. 0 success criterion 2. Another critical design consideration is the frequency of interruption caused by alerts. Frequent interruptions inhibit usability for people with visual and cognitive disabilities, which makes meeting the requirements of.
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Then, another time in class, I was talking to my friend and asked her to call me by my nickname. He overheard, asking me why I didn’t ask him to do that. I just told him I found no reason to, but ever since then he calls me by my nickname anyway. He also gave us a quiz and one of the questions asked what we thought he could do to make the class better. I said “one day out the week for tutoring would be nice.” Here’s where things get a little weird.. When he handed back our quizzes, he made sure to let me know I was the only one he responded back to on the quiz. When I read his little response it said, “Okay, let’s try to do that, [my nickname]. It’s a pleasure having you in class.” Is he flirting???? Sincerely,Not Hot for Teacher. Hey Not Hot for Teacher: Here’s the deal: if you think he’s flirting, he’s flirting. So, if you’re getting that creeper vibe, that’s enough to say he is. I think he’s flirting and I can’t even see his body language or anything. He calls you by your nickname when you didn’t ask him to, he takes care to notice your appearance—and keep track of it—and he makes comments on said appearence, directly to your face. Plus, the weird note on your quiz. That’s a little inappropriate there, Professor Horndog. But here’s the nail in the coffin: he’s not doing these things to anyone else (or so you say). I mean, if he was, it would still be inappropriate, but it’s obvious he’s shown a specific interest in you, lady. And it sounds like you’re not interested in his version of extra credit. So, the real question is what do you do about it? For one, I wouldn’t attend his romantic solo tutoring session created specifically for you. If he’s saying those things in front of people imagine what he might say—or do—when it’s just you two in a room alone. Ew. He may not actually be a total creep, but you’re probably better off getting tutoring from a classmate if he makes you uncomfortable. Think about it—you won’t be able to focus and learn when you’re on your guard the whole time. Beyond that, you have two options. The first, which isn’t ideal, is to ignore him until this class is over. If you won’t see him again after this semester, just keep your head down, do your classwork, and move on. But if he’s an adviser or a regular professor of yours, that’s not really an option. And I think you’re better off doing something about it, so.. The second option, Not Hot for Teacher, is to tell him that what he’s doing makes you uncomfortable. Don’t make a display out of it. Do it in private during office hours and say, “Mr. Horndog (but actually use his name), it makes me uncomfortable when you use my nickname and make comments about my appearance. I’d appreciate it if you’d stop.” Now, he’ll probably get defensive and say that he didn’t mean anything by what he said, but it doesn’t matter what he meant. Say, “It’s fine, you don’t have to explain. I’d just like you to stop. Thanks.” Remember, you’re not debating his intentions with him, you’re telling him how you feel about it, and as your teacher he needs to respect that—period. He may not be aware that he’s making uncomfortable. While you feel a little harassed, he may think you’re cool with it in his creeper brain. Until you say something, he’ll probably continue. Whatever you choose to do, keep a record of everything he says to you, and when. If you choose to ask him to stop, keep a record of that as well. That way you’ll have plenty of evidence in case this situation escalates and it needs to be taken to a higher power. You never know.. You might dress well, have a cool job, and be blessed with beauty, but flirting is where the real…Read more That’s it for this week, but I still have plenty of blunt, honest advice bottled up inside. Tell me, what’s troubling you? Is work getting you down? Are you having problems with a friend or a coworker? Is your love life going through a rough patch? Do you just feel lost in life, like you have no direction? Tell me, and maybe I can help. I probably won’t make you feel all warm and fuzzy inside, but sometimes what you need is some tough love. Ask away in the comments below, or email me at the address you see at the bottom of the page (please include “ADVICE” in the subject line). Or tweet at me with #Tough. Love! Also, DO NOT EMAIL ME IF YOU DON’T WANT YOUR REQUEST FEATURED. I do not have time to respond to everyone just for funsies. Til next time, figure things out for yourself. ![]() Partner Perspectives. Partner Perspectives. Partner Perspectives. White Papers. Current Issue. Digital Transformation Myths & Truths. Transformation is on every IT organization's to- do list, but effectively transforming IT means a major shift in technology as well as business models and culture. 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